God i feel like the hardest part of making a blog post besides actually making the post is naming it...i apparently already had a draft from the 8th of this month and it was called Surely because thats the song i was listening to while naming it LOL. That's a lie now though because i'm listening to Melo Melo Bakkyun by Sho Kiryuin which is a meaningful lesson that sadness is stupid and temporary and sometimes the best course of action is to MAN UP and LISTEN TO J-POP SUNG BY A MAN INSTEAD
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See? I'm fine now...(sniff) |
Anyways! Since it's winter, it's officially make-up-your-ramadan-fast-you-lazy-slob season...so thats what ive been doing '-' duh. This ramadan was when i got my pcos diagnosis so my period was unusually long. I have to make up 15 days of fasting. And during ramadan itself i had to fast while on my period since i already overstepped the limit (i had no idea a limit of 15 days existed but apparently there is a limit!)
Today, I rewatched Issho Baka. Again. For the third fucking time. God im pathetic...but specifically, i was rewatching the January 21st performance at Osaka-jo Hall. Isn't it crazy it has a slightly bigger capacity than Nippon Budokan?! As in, it seats 16k people while Budokan seats 14k. And yet it feels like Budokan is THE venue. Whaaaat...maybe i'm missing something o_o lol (maybe it's just something location related?)
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"Thank you so much for purifying me! I'm so happy t-" "Fuck me right here. Right now. In front of Osa Red and Osa Blue. They won't care. I won't care either..." |
I like the 1/21 performance. It's fun and i like the little switch-up after the 4th stageplay (the infamous suppin Kenji one!!!). Instead of performing Shiawase no Uta like they usually do, they performed Ashita no Sho instead. Weird change but i get it. I guess. Looking at the 1/15 setlist again, they also performed Ashita no Sho. My bad...Kyan's cardboard saxophone solo was funny though. Why'd he stare out so erotically into the crowd at the end...
I think 1/14 is good as a kind of like...cult initiation of sorts for anyone who wants to know what the average Big Venue Golden Bomber Live is like. It's like required watching! 1/15 isn't bad either, but it lacks CAMERA SHOTS OF KENJI DRUMMING BEFORE HE PUTS HIS MAKEUP BACK ON. 1/21 also has this issue. It's really annoying. 1/14 wins in the aspect of drum shots while he's still makeupless...so...yay?
In terms of how the stageplay's done, I'd say it's nice in all of them, but 1/15 has Kenji doing this dramatic jump in the last one. Konnichiwa Kodoku is some kind of anomaly song to me because it never got a studio recording until 2019...can you imagine...it's been rotting for 7 whole years...
I also remember a friend told me that apparently Konnichiwa Kodoku was written by Sho back in 2008 when Dankichi was still around. Sho said that in his autobiography that i've never read...or seen scans of...or touched. So make that...11 whole years! Just ROTTING! No studio recording! NOTHING!
I'm running out of thoughts. I remembered SUWAMASARU all of a sudden and now i miss them. I miss my wife tails
Bye!
~Cat